SALIX — This project reflects a clear expression of my interior architecture approach—shaped through form, material, and restraint. From the earliest stages, I developed the interior vision: spatial planning, ceiling and lighting design, cabinetry, finishes, and the layered textural palette. I also led furniture procurement and collaborated with fabricators and builders to carry the design through to completion.

The ceiling concept was foundational. It introduced a quiet but intentional geometry—planes that shift and hover, reaching toward one another at the corners. A gesture that recalls a kind of tension, like the fingertips in the Sistine Chapel—close, but never quite touching. That spatial rhythm continued throughout the home, informing how light moves, how materials meet, and how the space holds stillness without stagnation.

This project is part of an ongoing body of work exploring how structure can hold sensation—how interiors can move with clarity, carry weight, and feel wholly lived in.